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Two days ago Tomas was working on a cue that is quite ominous – it is the beginning of the setup for one main character’s theme, and it gets more eerie as the film progresses.

This happens to me every time – I am not consciously aware of the music playing throughout the house all day, but it is subconsciously making me very skittish.  A gust of wind, a creak upstairs – I start noticing these things.  They seemed particularly loud last night, and it does not help to remind myself that we live in a very old forest, in a 110 year old house – for some reason those very facts make me even more jumpy.

I reassure myself that it is a good cue when it has me this rattled, and go to sleep.  I woke up this morning and looked in the mirror.

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And no, I do not know what the silver button is on my shoulder. That is the least of my worries.

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Worse than the silver button and the yellow eyes? I am smiling in this picture.

Tomas is writing the main theme tonight for another character, which is mainly a minor-y mournful electric guitar cue.  We will take another photo tomorrow and see if I am no longer possessed by Ravana or one of his minions.

We are back from our wild 12 hours in New York, where “American Dumpling” was warmly received at the Chashama Film Festival, despite it being a small venue, a ten a.m. screening, and a rather damp, drizzly day.

Never mind that as we crossed from New Jersey into New York, over the Verrazano Bridge, and off at 38th St, we heard a really bad dragging sound.  I was hoping it was the rather mangled road we were on, but no such luck.  It was still dark, and behind us, the bridge was still glowing blue in the 6 a.m. pre-dawn sky.

images We made a left onto 4th Ave,. pulled over, and Tomas got down on his hands and knees in rain pooled gutter, only to see that the ‘engine splash guard’ had come partially off, and was not about to budge, either back into position or just do us a favor and break clean off.  We only had to go down to  17th Street, where director Aminta Goyal and her husband Michael lived, so after a bus went by and splashed all over Tomas, who was already dressed in his good clothes, we decided to park the car on 17th and deal with it after the festival. Buses splashing water on a person who dressed up is something you laugh at in a movie, right? It is a sight gag. Do not try this at home.

We staggered down the street to Aminta’s, where we were greeted with great joy, hugs and kisses.  Her husband Michael was wonderful, totally easygoing and welcoming, considering we were  two strangers who were so tired our eyes were rolling in our heads. Seriously, how many people let anyone in their house at the ungodly hour of 6:45 a.m., and be nice to them?

They made us coffee, and we all sat in the living room and talked excitedly until Michael realized it was time to go.  I had changed into something decent, and did my best with eyeliner and mascara, which can work miracles, well, sometimes.

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Subway from Brooklyn into Manhattan - we fit right in.

Onto the  Subway, into the city, where we made our way to the venue, below.

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Aminta finds the festival, we wandered right by it and were weaving up the street

When we went inside, we immediately collapsed onto the chairs, offing jackets, scarves and purses, when I realized I needed to see if our Dumpling cards were placed with the other films cards. Sadly, Eileen, the director, had not had the time to make up new cards and get them out, so below is a very tired me peering down at the stage, wondering where the cards are.  A very tired Tomas took the picture, and I think it is perfect, as the out-of-focus shot is physically how I felt.

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As I was wondering where the cards were, I heard my name being called behind me, and to my great surprise, an on-line friend I had invited showed up with his wife – what a treat to finally meet someone you have only known through cyberspace. John and his wife Eve were delightful and John took the time to write a review of the film on his blog, which you can read here. They also gave a DVD copy  of the film to some entertainment reporters they knew, in the hopes that they would write up a review in an actual newspaper. We were overwhelmed.

After the film played, Tomás and I did the Q&A, which was being filmed, and to be perfectly honest, I have no idea what we said.  Aminta reasured us that we did fine, but we were blithering idiots at that point.

We met a lovely woman, Louise Chu, who works publicity, marketing, and promotions for film, theater, and special events.  She had some excellent suggestions for “Dumpling”, and gave us her card.  I passed this information along to Eileen, and we shall see what comes of that.

Tomás and I extend our thanks to Ariel Vered and Rick Kariolic for their  support and enthusiastic reception of “Dumpling”.  You guys were great, and we hope to see you next year.

Afterwards, the six of us went to Chinatown, where we indulged ourselves in Vietnamese food and drink, and had so much fun we could have stayed until closing time.  Eve expertly herded us through the city into the subway, not an easy task, let me tell you.  She noticed I was weaving a bit at the corner, and I wrapped my arm in the crook of hers, and together we made all made it to Chinatown.  Somehow she multitasked propping me up, while making sure not to lose either of our husbands or Aminta and Michael.

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Tomas manages to get a shot of Chinatown and not get swallowed by the crowd

Regretfully, was time to go, as we had a long drive ahead.  John and Eve headed towards their subway entrance, and we headed back to Aminta and Michael’s, where we had to deal with the car, and then wound up recapping the day, along with about a thousand other topics.  We left their flat at around 6 p.m.

The drive back was a challenge, we got lost on the New Jersey Turnpike, just as the skies opened up with ferocious intent. Once we crossed from New Jersey back into Pennsylvania, we felt like we were home!  Well….not quite.  One a.m. Home. My eyes refuse to open, but still smilingThere was still the whole state to go through, more storms, a deer in the middle of the freeway which was a near miss, luckily, no one, man or beast got hurt.

All in all, we were up for forty hours straight, and although we made it, it has taken a few days to get back to a semi-normal sleep pattern.  As you can see, my eyes refuse to open, but I am still smiling!

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How far have we driven? Who are you? Where am I?

Tomas took some spectacular pictures of Brooklyn, Manhattan, and people, but we will sprinkle those throughout other posts.  For now, we are back, and back to work.  As I wrap this up, Tomas is mixing cue 1m5 for “Ravana’s Game”, to send off to director David Eblen tonight.  David was very understanding concerning this trip, and we appreciate it, as he knows that if he needed us to do something like this for “Ravana’s Game” long after the score was written, we would do it in a heartbeat.

All in all, it was a wonderful time, and we want to thank John, Eve, Aminta and Michael for adding an extraordinary human touch to what would have been a nice, but ultimately grueling experience.

Oh, and I forgot, as Aminta and I were standing on the corner down the street a bit from the festival, waiting to go in, a young woman with a smart blond ponytail and a brisk step, walked by me, and her yoga mat smacked me firmly in my lower back, nearly causing me to fall flat on my face.

Aminta gaped, then laughed and said, “Wow, I’ll bet you felt like you were back in L.A., huh?”

Actually I didn’t.  The Los Angeles twenty-something blond perky yoga matties walk the 9 steps from the yoga studio to their  gigantic SUV’s where they throw all of their ‘portable yoga gear’ in the gaping maw of the back of the SUV, right next to the bags of groceries from Whole Foods, bottles of wine from Trader Joes’s, and assorted items ordered from “Mommy and Me”.

I have been hit with a lot of things in my time, but never a yoga mat.  To add insult to injury, it was pink.  Bashed by a pink yoga mat.  Another new experience to cross off my list.  Tomas got a shot of the corner, but he missed the attack of the pink yoga mat.  Ah well, at least we have the footage of where the scene of the spiritual crime occurred.

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Tomas and I are going to New York, to the Chashama Film Festival, where “American Dumpling” has been accepted and is playing on Saturday Morning at 10 a.m.  You can find it in the categories “under $10,000″ and “Society”.

We have been turning ourselves inside out to try and figure out the quickest and least expensive way to get there – Plane and cab fare – a little pricey.  Train and cab fare, a little pricey and too many days to leave two cats and a crow alone in the house.

And trust me, a house sitter is out of the question.  When there is an uncaged crow as part of the deal, recession or no recession, no one wants that job.

So, we decided on renting a car, leaving the night before at around 11 p.m. (that is tonight, in five hours.  We have to get a nap in there somewhere, and a shower) – it is raining, and by 11p.m. it is going to be pouring, thunder and lightening predicted.  Totally exciting.

We are driving all night, into Brooklyn, where we are going to tumble into a brownstone belonging to Aminta Goyal,director of  “The Morning Fog”, and her husband Michael, where we will be slapped awake and hooked up to an I.V. of coffee, while we all catch up!  Then, we jump into our presentable clothes, and the four of  us hop the subway from Brooklyn to Mid Town Manhattan, where we watch the film, Tomas and I do the Q&A, we mill around for a bit, pass out a few cards to anyone who is interested, then hop back on the subway to Brooklyn, jump in the car, and drive home.

According to the weather, it is going to be raining the whole time.  We purchased a new nikon camera in order to take some decent pictures of the gorgeous Pennsylvania fall, so we are hoping that the drive back will produce a little bit of sun to capture the Fall leaves turning. If all goes according to plan, we will be back in the house tomorrow by no later than 9 p.m.

This is going to require some serious time travel back when we were in our twenties and could pull off a 24 hour shift with no sleep.

I promise, we will not wind up in a ditch somewhere, and this will not be the last post.  After all, there is a cooking contest going on over at “Dumpling” – we have judging to do!

Everyone is invited to the cooking contest:  Just go to American Dumpling, enjoy the entries, and read about how to enter at the bottom of the page.

Okay, gotta get a nap!

Tomas has been going through his bank of totally unique recordings of guitar “pulses” to experiment with how they might sound as a foundation for a cue in “Ravana’s Game” that needs a beat, but  is too subtle for percussion.

I hate to admit this, but some of them sound like a chain saw, severing the base of my spine and splitting my skull in two at the same time.  Those go into the “No” pile.

In between takes, you can hear Tomás and engineer Bob Gremore, having quite the “guys in studio all alone late at night” fun.  Until you hear them start to get hungry.

Advice from Tomás:

The First Thing Every Composer Should KnowFeed Your Engineer!

Those are words to live by.  Below is an older picture of us working on another film, waiting for a pizza we had ordered to arrive.  We started playing with the computer camera…..

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Tomas’s Great Aunt Millie Novac, died September 29th.  It has taken me this long to write about her because I cannot seem to find the right words. Tomas was very close to her, even though he had not ben living in the same state for over twenty years, until recently.  His birthday is the day after hers, and they are the only two family members to make a living at music, Millie with records and in radio, Tomas composing film.

I had heard so much about Millie before I met her, and when I finally did, she was one of the smartest, funniest, most loving women I have ever encountered.  She was in a lot of pain but did not complain, instead, she laughed easily and was very excited to show us all of her new computer gear. She was a ferocious “hugger”.

At 83 years old, in poor health, and she was whizzing around the computer better than most twenty year olds, certainly with more knowledge and dexterity than I. Millie Novak was pretty amazing.

She was a very talented singer, had her own weekly radio show, and recorded several albums on the Balkan, Decca, and Marjon labels.

Tomas was a pallbearer at her funeral on Friday, October 2nd.  It rained all day, as we all gathered at the Slovenian home afterwards to eat and drink and talk.  It all seemed to happen in that odd slow motion/too fast dreamlike state.

But it is all over now, and we are all left with a melancholy going hand in hand with the beauty of this fall season.

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The full obituary in the Sharon Harold gives the many details of her life, and I am going to stop here, as the writer below is much more eloquent than I.

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First off, the Summit is over and we all lived. Tomas and I went downtown on Wednesday and took a few pictures of the pre-preparations, on our way to the health food store.    Below is one of my favorites.  This sign was HUGE!!

this from the front seat of the Volvo, driving by.

this from the front seat of the Volvo, driving by.

We have a lot of them, and I just have not had time to post.  I will sprinkle them throughout posts down the line.

It was really interesting to be downtown, watching all of the preparation, and seeing how deserted the city was.  I love this city.

HOWEVER – on to personal pressing business – I am writing this because Tomas had requested that the International Movie database get his name and aka in the correct order, and somehow there was a mix-up.  You can only find Tomas Hart, and the film he worked on as a music element creator.  You cannot find Tomas Hradcky, the film composer, anywhere on the Imdb.

It is the same Tomas – he changed his name to Tomas Hart when he went to Los Angeles 23 years ago.  The last five years of his stay there, he  went back to the original family name, Tomás Hradcky.   He has scored over a dozen films, and until the Imdb fixes it, Tomás Hradcky and Tomas Hart are not linked as the same person.  But they are, and I am writing this on all three blogs so as to clear up any confusion until it all gets straightened out with the Imdb.

He is in the middle of composing a film right now, and does not have the time to re-contact the Imdb, so for now, this will have to do.

Partners on a Dime is the blog where you can read about past films he has scored, and what he is currently working on.

American Dumpling is where you can read about the documentary he scored that is making the film festival rounds.

Tomas Hradcky is his home page, which is in dire need of an update.

And below is a picture of him from two days ago, driving through the Fort Pitt tunnel.

Driving through the the Fort Pitt tunnel, the day before the G20 summit

Driving through the the Fort Pitt tunnel, the day before the G20 summit

Do you really want to know why it has been two months since a film score update here on “Partners”? Really?

Okay, how to ‘Readers Digest’ the past two months.  We had to completely rearrange the schedule we were working on, for reasons way too long to go into.  Plus, they are personal, and really only interesting to us.  However, we also had to completely rearrange the studio, and that is a yarn and a half.

I almost have a headache starting when I think about it. Excedrin Break!

Hallo! I am back.  Tomas and I recorded all of the percussion and vocals, that in itself not an easy task due to the way the studio was set up.  In spite of it being a bit tight, we got some amazing takes, and as I was happily, albeit stumbling a bit from exhaustion, putting all of the different drums and percussion instruments back in their places, when I heard an odd sound from the studio. Part heavy sigh, part groan……

I stuck my head in the studio, where Tomas was standing amidst a pile of cables that we were going to sit and wrap, plug, and unplug, etc., together after the mikes and drums were put back.  He was shaking his head.

“I am going to have to re-arrange the studio,” he said, resigned.  He was, if possible, more exhausted than I.

“Why? I mean, yeah, it was a bit of a squeeze, but we managed to record everything we needed and more, as far as I am concerned,” I answered, picking up the Dholak – a very cool North Indian, Pakistani, and Nepalese double headed hand drum that Tomas is using in the score – it looks like this:

imagesThey come in different sizes,  Tomas owns a small one and a larger one – this is a picture of a small one, although you cannot really compare it to anything, but suffice to say, my tired self could still manage to bend over and pick it up with one hand.  I digress.

Tomas shook his head. “It was too tight, I want to be comfortable, I want any other players to be comfortable, and you were squished up so hard against the console recording that I’ll bet there is a big red line across your stomach.

I looked.  There was.  I acquiesced.

I wish I had some ‘before’, and ‘during’ pictures.  But I do not.  It is easy enough with your imagination – pretend a music studio had been broken into, and every piece of gear was strewn all over the first floor of the house, as if the person who had broken in was not interested in the gear, or the instruments, but was certain there was cash hidden somewhere in this acoustic and computer melee.

It looked seriously hectic for about two days, as we rearranged, plugged in cables, re-rearranged, unplugging cables and reset up from yet another vantage point.

Although the humidity has gone way down, as Fall is starting to make an appearance, you would not know it if you walked into our house.  We were red-faced, sweaty, stripped down to shorts and a tee-shirt, hair piled up in an unruly bun for me, slicked back like a seal for Tomas.

The end result?  So worth the effort. Tomas has everything at his fingertips, and can write without interruption or unnecessary craning of his neck.  You can view the results, below.  I know, nothing really to compare it to, and I am sorry – it would have been fun to see a few shots of the mayhem.

A still from Ravana's game, with the screen now placed directly in the middle of the keyboard

A still from 'Ravana's Game,' with the screen now placed directly in the middle of the keyboard.

Now all of the Emulator's are to the right of the keyboard, in instrumentation bank order

Now all of the Emulator's are to the left of the keyboard, in instrumentation bank order.

Tomas working out the beginning melody. I snuck up on him. The chair and the light over the computer is my area.

Tomas working out the beginning melody. I snuck up on him. The chair and the light over the computer is my area.

There is a reason we do not have a shot facing Tomas from my area – How much gear do you really want to see working under the bowels of the table?  Like any good Martha Stewarts, we are only showing the pretty part.

Once it was all finished, Tomas began dictating every Emu pre-set to me, six banks all told, and we wrapped up every loose cable, tightened every Emu bank, and set up all of the Emu’s with multiple outputs for greater separation.

After all of that, Tomas is, as you see from the last picture, immersed in writing without any glitches, hassles, or uncomfortable working conditions for either of us.

On a personal note – the playing and recording of the drums and percussion reminded me of my long-ago step-son Seth Grusin, from my short and ill-fated marriage to Scott Grusin,over 25 years ago. Seth was a percussion prodigy,  when he was only 7 years old, he would be in the shower, bellowing out a song, and drumming madly on the shower walls.  His father recorded it one day and sent me a copy.  Seth used to come over to my brother Kerrigan’s house, where Kerry had a drum set, and Seth fearlessly climbed up on the drum seat, took the sticks, and started playing as hard as he could.  We would stand there, a bit in awe, wondering if the late Keith Moon had somehow set up home in this child’s body.

I have been trying to find him, and at some point I believe I will, and I hope he is still drumming.  I hope he is happy. I have missed him for half of my life.

Seth!  Donde esta Usted?


Eileen Nelson and “American Dumpling” have just won their first award – the Alan J. Bailey Award for Excellence in Documentary Filmmaking.

Eileen will be attending a black tie dinner with the rest of the winners sometime in late July, where she will receive her award and most likely, she will have to make a short speech.  We will make certain that “Dumpling”  co-producer Darrell Hanzalik gets pictures.

In the meantime, you can go to the Action on Film trailer page, and watch not only the American Dumpling trailer, but trailers of all of the other films in the festival.

Enjoy!

You can view a higher resolution version from Tomás’s site in a new window by clicking here. American Dumpling Trailer #1

Lastly, if any one of our faithful readers are in Los Angeles, and would like to see “American Dumpling” in the theatre, all info is below.

ADDRESS:

Regency Academy Theater 2,

1003 E. Colorado Blvd.

Pasadena, CA  91105

PHONE:

(626) 548-4058

Tickets are $8 apiece if purchased in advance, $10 at the box office.

“American Dumpling” screens Sunday, July 12th, at Noon.

Eileen Nelson, of “American Dumpling, just wrote to us.  Seems that “Dumpling” has now been accepted into another film festival, the “Action on Film” festival in Pasadena, California.  The festival starts on July 24th,  and there is this sudden mad scramble for a trailer, a press release, and all sorts of promo packages.

We just finished the full temp of “Ravana’s Game” and David had sent his notes on the first three reels, which we were going over carefully, when Eileen came crashing through the ceiling.

To add to the running-in-circles feeling, every time I sat down to hammer out a deal memo for the film that we are keeping quiet for now, there was some other instant commotion concerning a film that was finished over a year ago – “Dumpling”  - to the wrangling of “Ravana’s Game”.

So today was quiet – Summer is beginning, it is a wonderful excuse in the East to go slowly, as it is humid –  pick one small task, and work on it.  Today, for me, it was a legal document, something I am very careful with, and very slow at producing.

IN COMES THE GOOD NEWS!  DUMPLING IS PLAYING AT ANOTHER FESTIVAL!!!

Yahoo, right?  Yes……..except that it is past one a.m and we are pushing ourselves into insanity to create a good package for the festival.

Tomas was waiting to hear back from David concerning the direction the music should go for “Ravana’s Game”, but he was not sitting about twiddling his thumbs.  He has taken Davis’s notes and focused on the temp cues that David approved, and was starting to build the melodies and themes, when suddenly, he had to put the music to the “Dumpling” trailer.

The reason for this sudden attack seems to be that Eileen does not have any time at all to pull together all of these requirements that the festival is asking for.  Maybe they thought she already had them.  In her defense, he beloved cat, Hannibal, died last month, and she was so bereft that depression won out over working on the film.  We understood, and stopped pushing her.

Bottom line?  We are juggling three film balls in the air, each one deserves the best we have to give, and we are exhausted.  It is a good exhaustion, though.  I think it is better to have too much creative work than none, but we still have to grumble.  I am not sure why, but we do.

On a totally different note, another congratulations to Kevin Greutert.

He is living proof that grim persistence has many rewards, if you do not drop dead first.

Oh what fun!  ”American Dumpling” director Eileen Nelson wrote about a week ago, telling us that  ”Dumpling” was accepted to the International Film Festival Ireland 2009.

My tribe comes through!

We received the OMF – Open Media Framework –  files from Eileen about a week ago, and with luck, after Tomas has finished Ravana’s Game, he will have a week before starting the new film (which we are keeping mum about right now) to approach mixer Bob Gremore, and if the stars are aligned properly, the two of them will be able to produce a mix with a touch more polish than “Dumpling” has at this point.

Once the second mix of ‘Dumpling” is finished, Eileen can re-submit to any festivals, and hopefully pick up some new ones along the way.

We are happy with this news, as we believe strongly in this documentary, and with one festival acceptance and a fresh mix under it’s belt, we may have just gotten the universe to crack open a bit.

To everyone out there who feels weary with their projects, one rejection too many, years going by, please, do not give up.  Keep pushing, ’cause right when you are about to throw your hands up and call it a day, the sky might just crack open a bit for you, too.

Tomas and I send out our best thoughts for everyone struggling to make an independent film – it is a long road, and the smallest victory is cause for much celebration.

Don’t give up!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

*UPDATE: The International Film Festival Ireland 2009 has changed locations – it is now being held in Clonmel, County Tipperary, September 7th through September 12th.

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